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Legacies of the Sublime
Literature, Aesthetics, and Freedom from Kant to Joyce
Legacies of the Sublime
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Christopher Kitson - Author
SUNY series, Studies in the Long Nineteenth Century
Price: $95.00 
Hardcover - 222 pages
Release Date: May 2019
ISBN13: 978-1-4384-7417-5

Price: $32.95 
Paperback - 222 pages
Release Date: January 2020
ISBN13: 978-1-4384-7418-2

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Summary Read First Chapter image missing

Pairs literary works with philosophical and theoretical texts to examine how the Kantian sublime influenced authors in their treatments of freedom and subjectivity throughout the late nineteenth and early twentieth centuries.

Legacies of the Sublime offers a highly original, subtle, and persuasive account of the aesthetics of the sublime in late nineteenth- and early twentieth-century literature, philosophy, and science. Christopher Kitson reveals the neglected history of how Kant’s theory of the sublime in the Critique of Judgment cast a shadow over the next century and more of literature and thought. In each chapter, close readings weave together literary works with philosophical and scientific ones in order to clarify the complex dialogues between them. Through these readings, Kitson shows how the sublime survived well after the heyday of romanticism as a way of representing human freedom. This new context produces fresh interpretations of canonical literary works, by Thomas Carlyle, H. G. Wells, Joseph Conrad, and James Joyce, with reference to important theoretical texts by Karl Marx and Friedrich Engels, Arthur Schopenhauer, Friedrich Nietzsche and Sigmund Freud. Kitson follows the sublime’s various manifestations and mutations, through the nineteenth century’s industrial grandeur and the vertiginous prospects of deep time, into the early twentieth century’s darkly ironic and uncanny versions. A welcome contribution to the study of the long nineteenth century, this work reveals an unexamined chapter in intellectual history and in the story of the modern self.

“Kitson is well versed in the theory of the sublime and demonstrates detailed knowledge and understanding of primary texts and contexts. His close readings of key passages contribute to a richly textured, persuasive argument.” — Philip Shaw, author of The Sublime

Christopher Kitson is postdoctoral fellow at the Institute for Advanced Studies in the Humanities at the University of Edinburgh.

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Table of Contents


1. Fear and Freedom: The Legacies of the Sublime

2. “The Awakening of a Manchester”: The Communist Manifesto, Chartism, Industrial Spectacle,
and the Communist Subject

3. Orders of Magnitude: The Time Machine, Deep Time, and Wells’s Mathematical Sublime

4. Details and Detonators: The Secret Agent, Schopenhauer, Nietzsche, and the Ironizing of the Sublime

5. Journeys through Nighttown: “Circe,” “The ‘Uncanny,’” and the Inhabited Subject

Conclusion: The Sublime beyond the Uncanny

Works Cited

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