Acknowledgements
Introduction
1. An Integrated Approach to Autosegmental Theory
1.1. Common Ground
1.1.1. Tiers
1.1.2. Synchronization
1.1.3. Morphological Tiers
1.2. A Divergence in Theory: Duplication of Features
1.3. Projections
1.3.1. Universal Tiers
1.3.2. Duplication of Features
1.3.3. Underspecification
1.4. Association Rules
1.4.1. Lexical Association
1.4.2. Regular Association of Autosegmental Tiers
1.4.3. Regular Association of Melody to Skeleton
1.4.4. Spreading
1.4.4.1. Regular Spreading
1.4.4.2. Special Provisos
1.4.5. Operation of Association Rules
1.5. The DFF and Multiply Projected Features
1.6. The DFF and Prespecification
1.6.1. Fula and Akan
1.6.2. Excursus: the DFF and the Elsewhere Condition
1.6.3. Neutral Segments
1.6.4. Infixation Revisited
1.6.4.1. Arabic Infixation
1.6.4.2. Other Cases
1.7. Summary and Conclusions
2. Mutation
2.1 Central Cases
2.1.1. Fula
2.1.2. Nuer
2.1.3. Chemehuevi
2.1.4. General Characteristics of Mutation
2.2. Mutation and Locality
2.3 Umlaut
2.4. Phonetically Quirky Mutations
2.5. Nonmorphological Mutations
2.6. Mutation Summary
3. Harmony
3.1. Feature-Adding Harmonies
3.1.1. Feature-Adding, Ordinary
3.1.2. Feature-Adding, Dominant
3.2. Feature-Changing Harmony
3.3. The Metrical Residue
3.4 Harmony Summary
3.5. Harmony and Mutation
4. Tone in an Integrated Theory of Autosegmental Processes
4.1. Prespecification and Tone
4.1.1. Consonantal Interference
4.1.2. An Analysis of Consonantal Interference
4.2. The Tonal System of Zulu
Conclusion and Speculation
References
Index