The Films of Harold Pinter

You Have 0 Item(s) In Cart |

My Account |

Order Status |

Check Out |

The Films of Harold Pinter

Click on image to enlarge

Steven H. Gale - Editor

SUNY series, Cultural Studies in Cinema/Video

Price: $65.50
Hardcover - 200 pages

Release Date: April 2001

ISBN10: 0-7914-4931-9
ISBN13: 978-0-7914-4931-8

Price: $31.95
Paperback - 200 pages

Release Date: March 2001

ISBN10: 0-7914-4932-7
ISBN13: 978-0-7914-4932-5

Available as a Google eBook for other eReaders and tablet devices. Click icon below...

Summary

Examines the screenplays of the master British dramatist and screenwriter Harold Pinter.

The Films of Harold Pinter is a collection of ten original essays on the screenplays of master British dramatist and screenwriter Harold Pinter. Written by noted Pinter and film specialists, the book explores individual Pinter masterpieces such as The French Lieutenant's Woman, The Go-Between, Accident, and The Pumpkin Eater. Along with offering explications of the films themselves, it also provides insights into Pinter's creative process and the differences between the novel, drama, and film.

Despite having written twenty-three film scripts and concentrating his recent artistic attention almost exclusively on screenwriting, Pinter's work for the screen has been paid sparse critical attention over the years. This book leaves little doubt, however, that Harold Pinter has made important contributions to the cinema, not the least of which has to do with the primary characteristics of his screenplays--in almost every case he has produced a script that is a work of art in its own right, one that can stand on its own.

“While Harold Pinter's plays have garnered praise and admiration, The Films of Harold Pinter pays overdue attention to Pinter's most overlooked work. Steven H. Gale has assembled essays by ten film scholars on Pinter's screenplays...His effort represents the first concerted academic treatment of the products and processes of Pinter's screenwriting.” — Publishers Weekly

"The best things about this book are its original insights and the high--though not unnecessarily daunting or off-putting--intellectual quality of the essays, along with the examination of Pinter film scripts never before available for scholarly critique: Lolita and Dreaming Child." -- Thomas P. Adler, Purdue University

Contributors include Marya Bednerik, Katherine H. Burkman, Wheeler Winston Dixon, Steven H. Gale, Francis X. Gillen, Ann C. Hall, William L. Horne, Christopher C. Hudgins, Edward T. Jones, Mijeong Kim, and Louis Marks.

Steven H. Gale is the Endowed Chair of the Humanities at Kentucky State University, and the editor of many books, including Critical Essays on Harold Pinter.

Table of Contents

List of Illustrations

Acknowledgments

Introduction

1. "Swift Strokes": The Pumpkin Eater--The Adaptive Screenplay as a Unique Text
WILLIAM L. HORNE

2. The Eternal Summer of Joseph Losey and Harold Pinter's Accident
WHEELER WINSTON DIXON

3. The Ecology of The Go-Between
MARYA BEDNERIK

4. The Tragedy of Illusion: Harold Pinter and The Last Tycoon
KATHERINE H. BURKMAN and MIJEONG KIM

5. Harold Pinter's The French Lieutenant's Woman: A Masterpiece of Cinematic Adaption
STEVEN H. GALE

6. Daddy Dearest: Harold Pinter's The Comfort of Strangers
ANN C. HALL

7. On The Remains of the Day: Harold Pinter Remaindered
EDWARD T. JONES

8. Producing The Trial: A Personal Memoir
LOUIS MARKS

9. Harold Pinter's Lolita: "My Sin, My Soul"
CHRISTOPHER C. HUDGINS

10. Isak Dinesen with a Contemporary Social Conscience: Harold Pinter's Film Adaptation of "The Dreaming Child"
FRANCIS X. GILLEN

Appendix I: Chronology of Pinter's Film and Television Writing

Appendix II: Awards for Screenwriting

Selected Bibliography

List of Contributors

Index

Related Subjects

British Studies
Cultural Studies
Film Studies

39329/39328(JP/MS/MC)

Related Titles


Film Voices	The Transparency of Spectacle	Redirecting the Gaze	The Films of Jean-Luc Godard	The Exploding Eye
The Films of Fred Zinnemann	The Cinema of Tony Richardson	Regarding Life	The Second Century of Cinema	Bored to Distraction