List of Illustrations
Acknowledgments
Chapter One
Introduction
Arthur Nolletti Jr.
Chapter Two
Conversation with Fred Zinnemann
Arthur Nolletti Jr .
Chapter Three
Act of Violence (1949) and the Early Films of Fred Zinnemann Wheeler
Winston Dixon
Chapter Four
The Eyes Have It: Dimensions of Blindness in Eyes in the Night (1942)
Martin F. Norden
Chapter Five
There Were Good Germans: Fred Zinnemann's The Seventh Cross (1944)
Leonard Quart
Chapter Six
Historical Perspective and the Realist Aesthetic in High Noon (1952)
Stephen Prince
Chapter Seven
The Women in High Noon (1952): A Metanarrative of Difference
Gwendolyn Foster
Chapter Eight
Repeat Business: Members of the Wedding
Louis Giannetti
Chapter Nine
Spirituality and Style in The Nun's Story (1959)
Arthur Nolletti Jr.
Chapter Ten
Behold a Pale Horse (1964): Zinnemann and the Spanish Civil War
Linda C. Ehrlich
Chapter Eleven
Fred Zinnemann, A Man for All Seasons (1966), and Documentary Fiction
Joel N. Super
Chapter Twelve
Shooting a Melon: The Target Practice Sequence in The Day of the Jackal (1973)
Lloyd Michaels
Chapter Thirteen
"Do You Understand?" History and Memory in Julia (1977)
Stephen Prince
Chapter Fourteen
Real-Life References in Four Fred Zinnemann Films
Claudia Sternberg
Chapter Fifteen
Fred Zinnemann's Actors
Steve Vineberg
Chapter Sixteen
Mythic Figures: Women and Co-Being in Three Films by Fred Zinnemann
Joanna E. Rapf
Zinnemann Filmography
Selected Bibliography
Contributors
Index