Passport to Hollywood

You Have 0 Item(s) In Cart |

My Account |

Order Status |

Check Out |

Passport to Hollywood
Hollywood Films, European Directors

Click on image to enlarge

James Morrison - Author

SUNY series in Postmodern Culture

Price: $55.50
Hardcover - 311 pages

Release Date: September 1998

ISBN10: 0-7914-3937-2
ISBN13: 978-0-7914-3937-1

Price: $31.95
Paperback - 311 pages

Release Date: September 1998

ISBN10: 0-7914-3938-0
ISBN13: 978-0-7914-3938-8

Available as a Google eBook for other eReaders and tablet devices. Click icon below...

Summary

CHOICE 1999 Outstanding Academic Book

Examines popular films made in Hollywood by European directors, offering a fresh take on the much-debated issue of the "great divide" between modernism and mass culture.

"James Morrison's Passport to Hollywood is a superb examination of the American films of some of the most gifted European cineastes. Using such classic films as Scarlet Street, This Land is Mine, and more recent works such as Petulia, Morrison demonstrates the ways in which the concerns of such disparate directors as Lang, Renoir, Lester, Murnau, and Forman found expression within the Hollywood cinema, enriching both the cinema of America, as well as demonstrating to others what films were possible working within the Hollywood machine. Engrossing, carefully researched, and richly detailed, Morrison's book is at once accessible and meticulous." -- Wheeler Winston Dixon, author of The Films of Jean-Luc Godard

In Passport to Hollywood, James Morrison examines a series of Hollywood films by directors from European art-cinemas. Drawing widely on current research in film theory, film history, and cultural studies, he traces the influence of European filmmakers in Hollywood from the 1920s to the 1980s and illuminates the relation between modernism and mass-culture in American movies. By interpreting important American films, Morrison also shows how these films illustrate key issues of cultural hierarchy and national culture over fifty years of American cinema. In addition, he explores the complex and often contradictory ways that these Hollywood movies conceptualize ideas about "foreignness." Using insightful close viewings, Morrison demonstrates new connections among modernism, postmodernism, and American movies.

James Morrison is Associate Professor and Co-Director of Film Studies at North Carolina State University.

Table of Contents

List of Illustrations

Acknowledgments

Introduction. Resident Aliens: Hollywood Films, European Directors

Part One. Classical Hollywood Modernisms

1 Hollywood as Modernism's Other: The Case of Sunrise

2 Representation and Form: Representing Nationality in This Land Is Mine

3 Masscult Modernism, Modernist Masscult: Cultural Hierarchy in Scarlet Street

Part Two. Identity and Difference: Post-Classical Hollywood and European Art-Cinema

4 Un-American Activities in 1950s Hollywood: Hollywood Reading Europe/Europe Reading Hollywood

5 Reinventing Otherness: Petulia, Art-Cinema, and the New Hollywood

6. Mythic Self-Consciousness and Homosexual Panic in the New Hollywood: One Flew over the Cuckoo's Nest and Deliverance

7 Cutter's Way and New Hollywood Spectatorship

Coda

Notes

Bibliography

Index

Related Subjects

Cultural Studies
Film Studies
Popular Culture
Postmodernism

34626/34627(JP/MS/FK)

Related Titles


Bad	Dead Ringers	Cinema and the Shoah	Passionate Detachments	Triangulated Visions
John Huston as Adaptor	This Is a Picture and Not the World	A Very Old Machine	The Exploding Eye	The Cinema of Tony Richardson