The Orphic Moment

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The Orphic Moment
Shaman to Poet-Thinker in Plato, Nietzsche, and Mallarme

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Robert McGahey - Author

SUNY series, The Margins of Literature

Price: $52.50
Hardcover - 209 pages

Release Date: July 1994

ISBN10: 0-7914-1941-X
ISBN13: 978-0-7914-1941-0

Customers outside the US/Canada purchase here

Price: $31.95
Paperback - 209 pages

Release Date: July 1994

ISBN10: 0-7914-1942-8
ISBN13: 978-0-7914-1942-7

Customers outside the US/Canada purchase here

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Summary

"This is an extraordinary book on Orpheus, one that is willing to circumvent explanations and fixed positions. Itself it teaches us how to live and imagine Orphically on the invisible and impossibly thin line that separates and unites all opposites. Robert McGahey writes with authority, sculpting out a precise place and time that is the Orphic moment, and he also straddles the difficult but necessary ambiguity of historical time and poetic eternity. The sheer joy of the book comes in part from the multiple fugal counterpoints of many schools of poetic and philosophical sensibility. Mr. McGahey writes as an Orphic musician; not one who plays literally on a lyre, but one who calls forth the harmonic and tuneful voice of being itself." -- Thomas Moore, author of Care of the Soul and Soul Mates, from the Foreword

This book examines Orpheus as a figure who bridges the experience of the Greek tribal shaman and the modern poet Stephane Mallarme, the father of modernism. First mentioned in 600 B.C., Orpheus was present at the moment when the Apolline forms of western culture were being encoded. He appears again at the opposite moment embodied in the language-crisis at the end of the nineteenth century, which inaugurated the break-up of those forms and ushered in the Dionysian. Mallarme's "Orphic Moment," when Orpheus's scattered limbs first begin to stir back to life, enacts a dance at the boundary of Apollo and Dionysos, marking the collapse of Apolline form back into its Dionysian ground in Nietzsche's The Birth of Tragedy.

"This thoughtful and intelligently argued book brings breadth of scholarship to focus on a parallelism (that between Mallarme and Nietzsche) that both typifies and defines a specific moment in Western thought. It is a successful union of poetry and philosophy." --C. Olds, University of Nebraska

Robert McGahey is Associate Professor of Humanities at Moorhead State University.

Table of Contents

Foreword

Acknowledgments

Introduction

Prologue

1. Orpheus as Gap, Border, and Bridge

2. Plato's Orphic Universe

3. Brothers in Decadence: Mallarmé, Nietzsche, and the Orphic Wagner

4. The Orphic Moment of Stéphane Mallarmé

5. Tombs, Fans, Cosmologies: A View from the Prison House

6. Conclusion

Notes

Works Cited

Index

Related Subjects

Aesthetics
Comparative Literature
Continental Philosophy
Literary Criticism
Literary Theory
Myth
Romance Languages

22932/24282(CFS//)

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