top_1_963_35.JPG
top_2_1.jpg top_2_2.jpg
 
 
  HOME   PUBLISH   DONATE   ABOUT   CONTACT   HELP   SEARCH  
 
   
Gothic (Re)Visions
Writing Women as Readers
Gothic (Re)Visions
Click on image to enlarge

Susan Wolstenholme - Author
SUNY series in Feminist Criticism and Theory
Price: $50.50 
Hardcover - 201 pages
Release Date: December 1992
ISBN10: 0-7914-1219-9
ISBN13: 978-0-7914-1219-0

Quantity:  
Price: $25.95 
Paperback - 201 pages
Release Date: December 1992
ISBN10: 0-7914-1220-2
ISBN13: 978-0-7914-1220-6

Quantity:  
Subject to availability
Billed when shipped
Available as a Google eBook
for other eReaders and tablet devices.
Click icon below...


Summary Read First Chapter image missing

Gothic fiction usually has been perceived as the special province of women, an attraction often attributed to a thematics of woman-identified issues such as female sexuality, marriage, and childbirth. But why these issues? What is specifically "female" about "Gothic?" This book argues that Gothic modes provide women who write with special means to negotiate their way through their double status as women and as writers, and to subvert the power relationships that hinder women writers.

Current theories of "gendered" observation complicate the idea that Gothic-marked fiction relies on composed, individual scenes and visual metaphors for its effect. The texts studied here--by Ann Radcliffe, Mary Shelley, Charlotte Bronte, Harriet Beecher Stowe, George Eliot, and Edith Wharton--explode the authority of a unitary, centralized narrative gaze and establish instead a diffuse, multi-angled textual position for "woman." Gothic moments in these novels create a textualized space for the voice of a "woman writer," as well as inviting the response of a "woman reader."

Susan Wolstenholme is Professor of English at Cayuga Community College in Auburn, NY.


Bookmark and Share

Table of Contents

List of Illustrations

Preface

Acknowledgments

PART I: WHAT'S FEMALE ABOUT GOTHIC?

1. Dreams and Visions

2. Woman as Gothic Visions (The Italian)

3. The Woman on the Bed (Frankenstein)

4. Charlotte Bronte's Post-Gothic Gothic

PART II: GOTHIC UNDONE

5. Eva's Curl (Uncle Tom's Cabin)

6. Exorcising the Mother (Daniel Deronda)

7. Tableau Mort (The House of Mirth)

8. Why Would a Textual Mother Haunt a House Like This?

Notes

Bibliography

Index



Related Subjects
22378/23677(CFS/SG/)

Related Titles

The World of Yesterday's Humanist Today
The World of Yesterday's Humanist Today
Facing Fascism and Confronting the Past
Facing Fascism and Confronting the Past
Time Is of the Essence
Time Is of the Essence
Melancholies of Knowledge
Melancholies of Knowledge
The Endless Text
The Endless Text
The American Protest Essay and National Belonging
The American Protest Essay and National Belonging
Antologia de la Poesia Latinoamericana
Antologia de la Poesia Latinoamericana
Habitations of the Veil
Habitations of the Veil
Recreating the World/Word
Recreating the World/Word
Truant Pastures
Truant Pastures



 
bottom_1_963_35.jpg