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146 Results Found For: Aesthetics
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American Aesthetics
American Aesthetics (May 2020)
Theory and Practice
Walter B. Gulick - Editor
Gary Slater - Editor

 
 
Merleau-Ponty at the Gallery
Merleau-Ponty at the Gallery (May 2020)
Questioning Art beyond His Reach
Veronique M. Foti - Author

 
 
Capital in the Mirror
Capital in the Mirror (April 2020)
Critical Social Theory and the Aesthetic Dimension
Dan Krier - Editor
Mark P. Worrell - Editor

 
 
Thinking Life with Luce Irigaray
Thinking Life with Luce Irigaray (April 2020)
Language, Origin, Art, Love
Gail M. Schwab - Editor

 
 
Merleau-Ponty and Contemporary Philosophy
Merleau-Ponty and Contemporary Philosophy (December 2019)
Emmanuel Alloa - Editor
Frank Chouraqui - Editor
Rajiv Kaushik - Editor

Assesses the importance of Merleau-Ponty to current and ongoing concerns in contemporary philosophy.

Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Me...(Read More)
 
 
Merleau-Ponty between Philosophy and Symbolism
Merleau-Ponty between Philosophy and Symbolism (November 2019)
The Matrixed Ontology
Rajiv Kaushik - Author

Argues that symbolism is an important and unique element of Merleau-Ponty’s phenomenology.

Merleau-Ponty says in his Institution and Passivity lectures that he wants to “consider criticism itself as a symbolic form” instead of doing “a philosophy of symbolic form.” This invites the possibility of an unconventional thought: If critical philosophy is a symbolic form, it cannot disclose its own limits and is, ...(Read More)
 
 
Merleau-Ponty and Nishida
Merleau-Ponty and Nishida (October 2019)
Artistic Expression as Motor-Perceptual Faith
Adam Loughnane - Author

Places the phenomenologies of Merleau-Ponty and Nishida into dialogue and uncovers a demand for a motor-perceptual form of faith in both philosophers’ meditations on artistic expression.

In Merleau-Ponty and Nishida, Adam Loughnane initiates a dialogue between two of the twentieth century’s most important phenomenologists from the Eastern and Western philosophical worlds. He guides the reader through the comp...(Read More)
 
 
Hyperthematics
Hyperthematics (August 2019)
The Logic of Value
Marc M. Anderson - Author

Presents a new and unique method for developing principles to be applied in creating and increasing value.

In this innovative work, Marc M. Anderson presents an account of value and value creation, which both defines value and introduces a method to manipulate value practically. Using this new methodology, Anderson first explores where value lies in experience, both human and otherwise, uncovering tendencies in human action and...(Read More)
 
 
Philosophy-Screens
Philosophy-Screens (July 2019)
From Cinema to the Digital Revolution
Mauro Carbone - Author
Marta Nijhuis - Translator

Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.

In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty’s interest in film and modern painting as it relates to his aesthetic theory and as it illuminates o...(Read More)
 
 
The Little Crystalline Seed
The Little Crystalline Seed (June 2019)
The Ontological Significance of Mise en Abyme in Post-Heideggerian Thought
Iddo Dickmann - Author

Shows how contemporary French philosophy adopted this literary paradigm and argues for its significance for addressing concerns in ethics, ontology, and aesthetics.

Mise en abyme is a term developed from literary theory denoting a work that doubles itself within itself—a story placed within a story or a play within a play. The term flourished in experimental fiction in midcentury France, having not only a strong imp...(Read More)
 
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