Acknowledgments
1. Introduction: Re-Viewing the British Cinema
Wheeler Winston Dixon
2. Frederic Villiers: War Correspondent
Stephen Bottomore
3. British Filmmaking in the 1930s and 1940s: The Example of Brian Desmond Hurst
Brian McIlroy
4. The Doubled Image: Montgomery Tully's Boys in Brown and the Independent Frame Process
Wheeler Winston Dixon
5. Lance Comfort, Lawrence Huntington, and the British Program Feature Film
Brian McFarlane
6. Re-constructing the Nation: This Happy Breed
Andrew Higson
7. The Demi-Paradise and Images of Class in British Wartime Films
Neil Rattigan
8. The Repressed Fantastic in Passport to Pimlico
Tony Williams
9. Revision to Reproduction: Myth and Its Author in The Red Shoes
Cynthia Young
10. The Tension of Genre: Wendy Toye and Muriel Box
Caroline Merz
11. An Interview with Wendy Toye
Wheeler Winston Dixon
12. The Last Gasp of the Middle Class: British War Films of the 1950s
Neil Rattigan
13. Evidence for a British Film Noir Cycle
Laurence Miller
14. The Tradition of Independence: An Interview with Lindsay Anderson
Lester Friedman and Scott Stewart
15. The Sight of Difference
Ilsa J. Bick
16. Twilight of the Monsters: The English Horror Film 1968-1975
David Sanjek
17. Re-Viewing the Losey-Pinter Go-Between
Edward T. Jones
18. Keeping His Own Voice: An Interview with Stephen Frears
Lester Friedman and Scott Stewart
19. The Politics of Irony: The Frears-Kureishi Films
Leonard Quart
20. The Long Day Closes: An Interview with Terence Davies
Wheeler Winston Dixon
Notes on Contributors
Bibliography
Index