top_1_963_35.JPG
top_2_1.jpg top_2_2.jpg
 
 
  HOME   PUBLISH   DONATE   ABOUT   CONTACT   HELP   SEARCH  
 
   
Bombay before Bollywood
Film City Fantasies
Bombay before Bollywood
Click on image to enlarge

Rosie Thomas - Author
SUNY series, Horizons of Cinema
Price: $90.00 
Hardcover - 346 pages
Release Date: March 2015
ISBN10: N/A
ISBN13: 978-1-4384-5675-1

Quantity:  
Price: $29.95 
Paperback - 346 pages
Release Date: March 2015
ISBN10: N/A
ISBN13: 978-1-4384-5676-8

Quantity:  
Available as a Google eBook
for other eReaders and tablet devices.
Click icon below...

Available as a Kindle Edition.
Click icon below...


Summary Read First Chapter image missing

Traces the development of Indian cinema from the 1920s to the mid-1990s, before “Bollywood” erupted onto the world stage.

Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India’s social and mythological films, Rosie Thomas examines the subaltern genres of the “magic and fighting films”—the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before “Bollywood” erupted onto the world stage in the mid-1990s.

Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.

“In this powerful account, Rosie Thomas opens out filmic artifacts to an array of dazzling reflections shedding new light on the movement and circulation of popular culture in India. With a remarkable body of research conducted over a period of time, Bombay before Bollywood decisively challenges certain assumptions about India, its cinemas, and its audiences.” — Ranjani Mazumdar, author of Bombay Cinema: An Archive of the City

“This is the archaeology of media performed with intellect, wit, and passion. Rosie Thomas pioneered this field and she remains its most brilliantly iridescent critic and advocate. If only all film studies were this revelatory and this enjoyable!” — Christopher Pinney, author of Camera Indica: The Social Life of Indian Photographs

“Rosie Thomas’s body of research over the last twenty-five years has set up key discourses in the study of Indian popular cinema. This book brings together her pioneering fieldwork into film industry categories and practices, and her more recent bid to resurrect a history made well-nigh clandestine by official narratives: the significance of Arabian Nights fantasies, stunt films, and visceral attractions in Bombay cinema. Pleasurably crafted and provocatively argued, Bombay before Bollywood is an important intervention in Indian and world cinema studies.” — Ravi Vasudevan, author of The Melodramatic Public: Film Form and Spectatorship in Indian Cinema

At the University of Westminster in the United Kingdom, Rosie Thomas is Professor of Film, Faculty of Media, Arts, and Design, Director of the Centre for Research and Education in Arts and Media, and Co-Director of the India Media Centre.


Bookmark and Share

Table of Contents

List of Tables and Figures
Credits
Acknowledgments

1. Bombay before Bollywood: Film City Fantasies

Part One

Introduction to Part One

2. Thieves of the Orient: The Arabian Nights in Early Indian Cinema

3. Distant Voices, Magic Knives: Lal-e-Yaman and the Transition to Sound in Bombay Cinema

4. Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts

5. Zimbo and Son Meet the Girl with a Gun

6. Still Magic: An Aladdin’s Cave of 1950s B-Movie Fantasy

Part Two

Introduction to Part Two

7. Where the Money Flows, the Camera Rolls

8. Indian Cinema: Pleasures and Popularity

9. Sanctity and Scandal: The Mythologisation of Mother India

10. Mother India Maligned: The Saga of Sanjay Dutt

References and Select Bibliography
Index


Related Subjects
4-5675-1/4-5676-8(JP/RM/FK)

Related Titles

Apocalyptic Dread
Apocalyptic Dread
Hetero
Hetero
The Films of Jean-Luc Godard
The Films of Jean-Luc Godard
Hollywood's New Yorker
Hollywood's New Yorker
Lonely Places, Dangerous Ground
Lonely Places, Dangerous Ground
Ripping England!
Ripping England!
Bad Seeds and Holy Terrors
Bad Seeds and Holy Terrors
Passionate Detachments
Passionate Detachments
Postmodern Journeys
Postmodern Journeys
Cinematic Cuts
Cinematic Cuts



 
bottom_1_963_35.jpg