Critical Introduction
1. Cycle Drama in the Sixteenth Century: Texts and Contexts
Alexandra F. Johnston
2. The Social Body of the Dramatic Christ in Medieval England
Peter W. Travis
3. The Dramatic Significance of Christ’s Tears in a French and an English Version of the Lazarus play
Seth Riemer
3. The Planctus Mariae in the Medieval European Theater: Theology and Drama
Stanley J. Kahrl
4. Breaking the Frame: Medieval Art and Drama
Sylvia Tomasch
5. Augustine’s Concept of the “Letter” and the Viewer as Subject in Selected Plays from the Towneley Cycle
Maris G. Fiondellai
6. The Magi and Modes of Meaning: The Second Shepherds’ Play as an Index of the Criticism of Medieval Drama
David Lampe
