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Hitchcock at the Source
The Auteur as Adapter
Hitchcock at the Source
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R. Barton Palmer - Editor
David Boyd - Editor
SUNY series, Horizons of Cinema
Price: $90.00 
Hardcover - 335 pages
Release Date: September 2011
ISBN10: N/A
ISBN13: 978-1-4384-3749-1

Quantity:  
Price: $31.95 
Paperback - 335 pages
Release Date: September 2011
ISBN10: N/A
ISBN13: 978-1-4384-3748-4

Quantity:  
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Summary Read First Chapter image missing

Considers the ways in which Alfred Hitchcock adapted and transformed a variety of literary works—novels, plays, and short stories—into film.

The adaptation of literary works to the screen has been the subject of increasing, and increasingly sophisticated, critical and scholarly attention in recent years, but most studies of the subject have continued to privilege literature over film by taking the literary sources as their starting point. Rather than examining the processes by which a particular author has been adapted into a diversity of films by different filmmakers, the contributors in Hitchcock at the Source consider the processes by which a varied range of literary sources have been transformed by one filmmaker into an impressive body of work.

Throughout his career, Alfred Hitchcock transformed a variety of literary sources—novels, plays, short stories—into what is arguably the most coherent and distinctive (narratively, stylistically, and thematically) of all directorial oeuvres. After an introduction surveying the nature and diversity of Hitchcock’s sources and locating the current volume in the context of theoretical work on adaptation, nineteen original essays range across the entirety of Hitchcock’s career, from the silent period through to the 1970s. In addition to addressing the process of adaptation in particular films in terms of plot and character, the contributors also consider less obvious matters of tone, technique, and ideology; Hitchcock’s manipulation of the conventions of literary and dramatic genres such as spy fiction and romantic comedy; and more general problems, such as Hitchcock’s shift from plays to novels as his major sources in the course of the 1930s.

“…an invigorating, insightful, and original volume. The focus on the sources of Hitchcock’s plots and ideas never diminishes the genius of Hitchcock. The real reward here is the comparison between literary achievement and cinematic achievement.” — CHOICE

“The complexity and sweep of this book are staggering; this is a one-stop source for information on the literary origins of Hitchcock’s works. This is a one-of-a-kind text, which fills a real niche in both film and Hitchcock studies.” — Wheeler Winston Dixon,  James Ryan Professor of Film Studies, University of Nebraska at Lincoln

“The book is replete with fresh insights into particular films and source texts, fresh approaches to the work of a hugely important and influential screen artist, and fresh evidence for the value of adaptation studies.” — David Sterritt, author of The Films of Alfred Hitchcock

R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University and has written and edited many books on various literary and cinematic subjects. David Boyd is Professor Emeritus of Film and Media Studies at the University of Newcastle, Australia. Palmer and Boyd are coeditors of After Hitchcock: Influence, Imitation, and Intertextuality.


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Table of Contents

Introduction: Recontextualizing Hitchcock’s Authorship
David Boyd and R. Barton Palmer

1. Hitchcock from Stage to Page
Thomas Leitch

2. Hitchcock and the Three Pleasure Gardens
Sidney Gottlieb

3. Hitchcock and The Manxman: A Victorian Bestseller on the Silent Screen
Mary Hammond

4. Blackmail: Charles Bennett and the Decisive Turn
Charles Barr

5. The Man Who Knew Too Much (1934): Alfred Hitchcock, John Buchan, and the Thrill of the Chase
Mark Glancy

6. Secret Agent: Coming in from the Cold, Maugham Style
R. Barton Palmer

7. The Lady Vanishes, but She Won’t Go Away
Noel King and Toby Miller

8. The Trouble with Rebecca
David Boyd

9. Depth Psychology on the Surface: Hitchcock’s Spellbound
Alan Woolfolk

10. Unrecognizable Origins: “The Song of the Dragon” and Notorious
Matthew H. Bernstein

11. Morbid Psychologies and So Forth: The Fine Art of Rope
David Sterritt

12. Under a Distemperate Star: Under Capricorn (1949)
Constantine Verevis

13. Bruno’s Game, or the Case of the Sardonic Psychopath
Douglas McFarland

14. Alfred Hitchcock Presents Dial M for Murder: The Submerged Televisuality of a Stage-to-Screen Adaptation
Ina Rae Hark

15. The Author of This Claptrap: Cornell Woolrich, Alfred Hitchcock, and Rear Window
Pamela Robertson Wojcik

16. To Catch a Thief: Light Reading on a Dark Topic
Hilary Radner

17. Woman as Death: Vertigo as Source
Barbara Creed

18. Psycho: Trust the Tale
Brian McFarlane

19. Thirteen Ways of Looking at The Birds
Murray Pomerance

20. A Brief Anatomy of Family Plot
Lesley Brill

Appendix
Hitchcock’s Films and Their Sources

Index


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