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Summary
Explores the career of one of America’s most noted printmakers and the seminal role he played in bringing the arts to Woodstock, New York.
With essays by art historian Tom Wolf and printmaking professor Ronald Netsky, this illustrated exhibition catalogue explores the career of one of America’s most accomplished printmakers, Bolton Coit Brown (1864–1936). Focusing mostly on the artist’s use of lithography but also including a selection of his oil paintings, this retrospective explores Brown’s unique and formidable contributions to American printmaking, as well as the seminal role he played in bringing the arts to Woodstock, New York.
Table of Contents
Bolton Coit Brown and the Woodstock Legacy Neil C. Trager
“Beautiful Color Does Not Come in Tubes”
The Paintings of Bolton Brown Tom Wolf
Bolton Brown: Artist, Teacher, Printer Ronald Netsky
Bolton Brown: Renaissance Man Arthur A. Anderson
Appendices:
Early Days At Woodstock Bolton Brown
Bolton Brown, The Artist and the Man John Taylor Arms
Chronology
Works by Bolton Coit Brown in the Exhibition
Works by Other Artists in the Exhibition
