Manly Leaders in Nineteenth-Century British Literature

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Manly Leaders in Nineteenth-Century British Literature

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Daniela Garofalo - Author

SUNY series, Studies in the Long Nineteenth Century

Price: $95.00
Hardcover - 224 pages

Release Date: March 2008

ISBN10: N/A
ISBN13: 978-0-7914-7357-3

Price: $32.95
Paperback - 224 pages

Release Date: January 2009

ISBN10: N/A
ISBN13: 978-0-7914-7358-0

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Summary

Examines fantasies of charismatic, virile leaders in British literature from the 1790s to the 1840s.

From the 1790s to the 1840s, the fear that Britain had become too effeminate to protect itself against the anarchic forces unleashed by the French Revolution produced in many British writers of the period a desire to portray strong leaders who could control the democratic and commercial forces of modernization. While it is commonplace in Romantic studies to emphasize that Romantic writers are interested in the solitary genius or hero who separates himself from the community to pursue his own creative visions, Daniela Garofalo argues instead that Romantic and early Victorian writers are interested in charismatic males—military heroes, tyrants, kings, and captains of industry—who organize modern political and economic communities, sometimes by example, and sometimes by direct engagement. Reading works by William Godwin, William Wordsworth, Jane Austen, Lord Byron, William Hazlitt, Thomas Carlyle, and Charlotte Brontë, Garofalo shows how these leaders, endowed with an inherent virility rather than simply inherited rank, legitimize hierarchy anew for an age suffering from a crisis of authority.

“Garofalo reveals a persistent anxiety in nineteenth-century British writing—a fear that the conditions of modern life would undermine both national and individual will. She shows how a series of writers responded to that threat by constructing a ‘manly leader’ appropriate to an age of capitalism and political liberalism.” — Ted Underwood, author of The Work of the Sun: Literature, Science, and Political Economy, 1760–1860

“The body chapters—especially those on Byron and Hazlitt—work through unfamiliar material with lucidity and verve, connecting ideas and texts not often put in juxtaposition with one another.” — John Plotz, author of The Crowd: British Literature and Public Politics

Daniela Garofalo is Assistant Professor of English at the University of Oklahoma.

Table of Contents

Acknowledgments

1. Introduction: Fantasies of National Virility and William Wordsworth’s Poet Leader

2. “A Left-Handed Way”: Modern Masters in William Godwin’s Caleb Williams

3. Political Seductions: The Show of War in Lord Byron’s Sardanapalus

4. Sublime Democracy and the Theater of Violence: Authoritarianism in William Hazlitt’s The Life of Napoleon Buonaparte

5. Communities in Mourning: Making Capital Out of Loss in Thomas Carlyle’s Past and Present and Heroes

6. “To Please a Woman Worthy of Being Pleased”: Darcymania in Jane Austen’s Pride and Prejudicei

7. Dependent Masters and Independent Servants: The Gothic Pleasures of British Homes in Charlotte Brontë’s Jane Eyre

Notes
Bibliography
Index

Related Subjects

British Studies
English Literature
Gender Studies
Romanticism
Nineteenth-Century Studies

46836/46837(JP/EM/FK)

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