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The Social Circulation of Poetry in the Mid-Northern Song
Emotional Energy and Literati Self-Cultivation
The Social Circulation of Poetry in the Mid-Northern Song
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Colin S. C. Hawes - Author
SUNY series in Chinese Philosophy and Culture
Price: $55.00 
Hardcover - 224 pages
Release Date: July 2005
ISBN10: 0-7914-6471-7
ISBN13: 978-0-7914-6471-7

Quantity:  
Price: $31.95 
Paperback - 224 pages
Release Date: June 2006
ISBN10: 0-7914-6472-5
ISBN13: 978-0-7914-6472-4

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Explores how literati of China’s mid-Northern Song period developed a social and therapeutic tradition in poetry. Includes a number of translations of the witty poems of the period.

Observing that the vast majority of surviving Northern Song poems are directly addressed to other people, Colin S. C. Hawes explores how literati of China’s mid-Northern Song period developed a social and therapeutic tradition in poetry. These social poems, produced in group settings and exchanged with friends and acquaintances, are often lighthearted in tone and full of witty banter and wordplay. Hawes challenges previous scholars’ dismissal of these poems as trivial and insignificant because they lacked serious political and moral content by arguing that the central function of poetry at the time was to release pent-up emotions and share them with others in a socially acceptable manner—what Hawes views as circulating emotional energy or qi.

Focusing on the circle of poets around Ouyang Xiu (1007–72 CE) and Mei Yaochen (1002–60 CE), the most influential literary figures of the mid-Northern Song period and the creators of a distinctive Song poetic style, Hawes provides a number of translations of poems of the period. Several major functions of poetic composition are discussed, including poetry as a game, as therapy, as a means of building relationships, and as a way of finding solace in history and in the natural world. Ultimately, the Northern Song attitude toward poetic composition spread throughout Chinese society.

“Hawes gives critical attention to those aspects of Chinese poetry whose significance is clearly attested in the actual practice of the poets but which have historically been overlooked, because these aspects are invisible when one approaches the corpus from certain political, philosophical, or aesthetic vantage points. I agree with the author that we cannot fully understand what these poets were doing unless we pay more heed to what they spent most of their time actually doing: playing word games with their friends. Understanding the nature and purpose of these word games is vital to understanding Northern Song thinking and, indeed, all poetry that delights in its medium.” — Stuart Sargent, Colorado State University

Colin S. C. Hawes is Lecturer in the Faculty of Law at the University of Technology, Sydney.


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Table of Contents

Acknowledgments

Introduction: Poetry and Energy Circulation

1. Poetry as Political and Social Criticism

2. Poetry as a Game

3. Poetry and Relationship Building

4. Poetry as Therapy

5. Poems Promoting Ancient Culture

6. Poetry as Humanization of Nature

Conclusion

Notes
Glossary
Bibliography
Index


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44017/43982(NE/JB/AV)

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