top_1_963_35.JPG
top_2_1.jpg top_2_2.jpg
 
 
  HOME   PUBLISH   DONATE   ABOUT   CONTACT   HELP   SEARCH  
 
   
The Perversity of Poetry
Romantic Ideology and the Popular Male Poet of Genius
The Perversity of Poetry
Click on image to enlarge

Dino Franco Felluga - Author
Price: $70.00 
Hardcover - 220 pages
Release Date: December 2004
ISBN10: 0-7914-6299-4
ISBN13: 978-0-7914-6299-7

Quantity:  
Price: $31.95 
Paperback - 220 pages
Release Date: January 2006
ISBN10: 0-7914-6300-1
ISBN13: 978-0-7914-6300-0

Quantity:  
Available as a Google eBook
for other eReaders and tablet devices.
Click icon below...

Available as a Kindle Edition.
Click icon below...


Summary Read First Chapter image missing

Explains why poetry gave way to the realist novel as the dominant literary form in nineteenth-century England.

Once the dominant literary form, poetry was gradually eclipsed by the realist novel; indeed, by 1940 W. H. Auden was able to note, "Poetry makes nothing happen." In The Perversity of Poetry, Dino Franco Felluga explores the cultural background of poetry's marginalization by examining nineteenth-century reactions to Romantic poetry and ideology. Focusing on the work of Sir Walter Scott and Lord Byron, as well as periodical reviews, student manuals, and contemporary medical journals, the book details the period's two contending (and equally outrageous) claims regarding poetry. Scott's poetry, on the one hand, was continually represented as a panacea for a modern world overtaken by new principles of utilitarianism, capitalism, industrialism, and democracy. Byron's, by contrast, was represented either as a cancer in the heart of the social order or as a contagious pandemic leading to various pathological symptoms. The book concludes with a coda on Alfred Lord Tennyson, which illustrates how the Victorian reception of Scott and Byron affected the most popular poetic genius of midcentury. Ultimately, The Perversity of Poetry uncovers how the shift to a rhetoric of health allowed critics to oppose what they perceived as a potent and potentially dangerous influence on the age, the very thing that would over the course of the century be marginalized into such obscurity: poetry, thanks to its perverse insistence on making something happen.

“The material Felluga assembles from Victorian medical writers on Byron, and also his documentation of the poet’s afterlife as a topic of pornography, make his book indispensable to Victorianists wishing to understand both the threat his poetry was seen to pose in the period and the means by which that threat was contained.” — Victorian Studies

"By restricting himself to Scott, Byron, and Tennyson, Felluga advances a compelling account of a competition to decide the place of poetry in the modern English-speaking culture. The entire work is based on ranging and often truly original historical scholarship in terms both of the culture of psychological stereotypes and of literary reception. No one has ever better represented the simultaneous appeal and threat posed by Byron in his own time." — Stuart Curran, author of Poetic Form and British Romanticism

Dino Franco Felluga is Associate Professor of English at Purdue University.


Bookmark and Share

Table of Contents

Acknowledgments

Abbreviations

Introduction

1. Diagnosing Genius: The Tropic Body and the Constitution of the Man of Letters

2. Romanticism's Last Minstrel: Scott, Ideological Fetishes, and the Technology of the Book

3. Byron's Spectropoetics and Revolution

4. Poetry and Pathology

Coda: Tennyson's Idylls, Pure Poetry, and the Market

Notes

Works Cited

Index



Related Subjects
43559/43995(JP/LDS/AV)

Related Titles

Post-Jungian Criticism
Post-Jungian Criticism
Romantic Psychoanalysis
Romantic Psychoanalysis
Virginia Woolf and the Politics of Style
Virginia Woolf and the Politics of Style
Selected Poems
Selected Poems
New Perspectives on Narrative Perspective
New Perspectives on Narrative Perspective
A Yelp in the Ideal
A Yelp in the Ideal
The Clay-Shaper's Husband
The Clay-Shaper's Husband
The French Connections of Jacques Derrida
The French Connections of Jacques Derrida
Mandalas
Mandalas
The Comic Irishman
The Comic Irishman



 
bottom_1_963_35.jpg