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Celluloid Couches, Cinematic Clients
Psychoanalysis and Psychotherapy in the Movies
Celluloid Couches, Cinematic Clients
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Jerrold R. Brandell - Editor
SUNY series in Psychoanalysis and Culture
Price: $73.50 
Hardcover - 260 pages
Release Date: April 2004
ISBN10: 0-7914-6081-9
ISBN13: 978-0-7914-6081-8

Quantity:  
Price: $31.95 
Paperback - 260 pages
Release Date: April 2004
ISBN10: 0-7914-6082-7
ISBN13: 978-0-7914-6082-5

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Summary Read First Chapter image missing

Looks at how therapy and the "talking cure" have been portrayed in the movies.

Consisting of contributions from psychoanalysts and therapists, as well as authors in such fields as literature and cinema studies, Celluloid Couches, Cinematic Clients explores how therapy and therapists have been portrayed in the movies over the last seventy-five years. From the 1926 silent film Secrets of a Soul, to Hitchcock's 1946 classic Spellbound, to the recent Girl, Interrupted, the contributors look at how moviemakers view therapy and the "talking cure" and examine important themes and controversies in the process.

Very often, cinematic efforts to portray the treatment process in psychoanalysis or psychotherapy are idiosyncratic, misleading, distorted, or even pathological. Yet this collection is not nearly as interested in denouncing such portrayals as in examining those films that offer us the opportunity to explore themes and issues from a vantage point outside our usual reference frame. Rather than focusing on what screenwriters and directors got wrong, each contributor asks instead what might be learned from the movies about professional selves and the nature of the therapeutic endeavor.

"This volume adds novel perspectives to an important, interdisciplinary field. The book's distinctiveness is its dual focus, upon film theory and upon psychoanalysis as a profession. While many film critics read Freud or (more likely) Lacan, fewer also practice any form of psychotherapy. This makes it difficult for them to grasp inherent differences between a profession and representations of that profession. The contributors to this book address this basic stumbling block and help clarify it well." — Volney P. Gay, author of Joy and the Objects of Psychoanalysis: Literature, Belief, and Neurosis

Contributors include Jerrold R. Brandell, Marilyn Charles, Alain J.-J. Cohen, Sanford Gifford, Shoshana Ringel, Andrea Slane, Barbara J. Socor, and Janet Walker.

Jerrold R. Brandell is Professor and Distinguished Faculty Fellow in the School of Social Work at Wayne State University. He is the author of Of Mice and Metaphors: Therapeutic Storytelling with Children and editor of four books, including Theory and Practice in Clinical Social Work.


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Table of Contents

List of Illustrations

Acknowledgments

Introduction
Jerrold R. Brandell

1. Kids on the Couch: Hollywood's Vision of Child and Adolescent Treatment
Jerrold R. Brandell

2. The Interracial Treatment Relationship in the Cold War Period: Pressure Point in Analysis
Andrea Slane

3. Women in Psychotherapy on Film: Shades of Scarlett Conquering
Marilyn Charles

4. Psychotherapy as Oppression? The Institutional Edifice
Janet Walker

5. Woody Allen and Freud
Alain J.-J. Cohen

6. Freud at the Movies, 1907–1925: From the Piazza Colonna and Hammerstein's Roofgarden to The Secrets of a Soul
Sanford Gifford

7. Talk Therapy: The Representation of Insight in the Cinema
Shoshana Ringel

8. Imagining Desire and Imaging the Real: A Love Story
Barbara J. Socor

9. Translating Psychotherapy Narratives from Literature onto Film: An Interview with Theodore Isaac Rubin
Jerrold R. Brandell

List of Contributors

Index



Related Subjects
42406/42429(JP/MS/FK)

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