top_1_963_35.JPG
top_2_1.jpg top_2_2.jpg
 
 
  HOME   PUBLISH   DONATE   ABOUT   CONTACT   HELP   SEARCH  
 
   
Shattered Vessels
Memory, Identity, and Creation in the Work of David Shahar
Shattered Vessels
Click on image to enlarge

Michal Peled Ginsburg - Author
Moshe Ron - Author
SUNY series in Modern Jewish Literature and Culture
Price: $54.50 
Hardcover - 204 pages
Release Date: February 2004
ISBN10: 0-7914-5919-5
ISBN13: 978-0-7914-5919-5

Quantity:  
Price: $24.95 
Paperback - 204 pages
Release Date: February 2004
ISBN10: 0-7914-5920-9
ISBN13: 978-0-7914-5920-1

Quantity:  
Price: $24.95 
Electronic - 204 pages
Release Date: February 2012
ISBN10: 0-7914-8600-1
ISBN13: 978-0-7914-8600-9

Quantity: 
Before purchasing a SUNY Press PDF eBook
for the first time you must read this...

click here
Available as a Google eBook,
for other eReaders and tablet devices,
Click icon below...

Available on Kno platform as an interactive eBook for use on iPad, Web and Android devices. Click icon below...


Summary Read First Chapter image missing

The first book-length study of the Israeli novelist David Shahar.

David Shahar (1926–1997), author of the seven-novel sequence The Palace of Shattered Vessels, occupies an ambiguous position in the Israeli literary canon. Often compared to Proust, Shahar produced a body of work that offers a fascinating poetic and ideological alternative to the dominant models of Amos Oz and A. B. Yehoshua. This book, the first full-length study of this fascinating author, takes a fresh look at the uniqueness of his literary achievement in both poetic and ideological terms. In addition to situating Shahar within the European literary tradition, the book reads Shahar's representation of Jerusalem in his multi-volume novel as a "heterotopia"—an actual space where society's unconscious (what does not fit on its ideological map) is materially present—and argues for the relevance of Shahar's work to the critical discussion of the Arab question in Israeli culture.

"Ginsburg's and Ron's book is thorough, systematic, and insightful, and it puts Shahar in the context of his Israeli colleagues and the larger arc of European and English fiction. The concluding chapter, which elaborates a brilliant and illuminating comparison of Proust and Shahar, is alone worth the price of admission. I have read Shahar for years with great interest, both in the original Hebrew and in English translation, and learned a great deal from this deft book. It breaks significant new ground both in comparative literature and Israeli fiction." — Murray Baumgarten, author of City Scriptures

"One of the admirable characteristics of David Shahar's narratives is their capacity to both dexterously and elegantly interweave aesthetic/artistic merits with a cogently persuasive ideological creed. This book does justice to those two interlaced routes in Shahar's work while discerning and tracing them prudently and insightfully." — Yair Mazor, author of Somber Lust: The Art of Amos Oz

Michal Peled Ginsburg is Professor of French and Comparative Literature and Chair of the Department of French and Italian at Northwestern University. She is the author of Flaubert Writing: A Study in Narrative Strategies; Economies of Change: Form and Transformation in the Nineteenth-Century Novel; and editor of Approaches to Teaching Balzac's Old Goriot. Moshe Ron is Senior Lecturer in English and Comparative Literature at the Hebrew University of Jerusalem. He is the translator of La Pharmacie de Platon by Jacques Derrida, as well as works by Raymond Carver and Paul Auster.


Bookmark and Share

Table of Contents

Acknowledgments

Introduction

1. Flirting with the Uncanny

Narrative Organization
Chronology
Identities
Uncanny Photo

2. The Eyes of a Woman in (and out of) Love: Creation, Painting, and Betrayal in Shahar's Fiction

"Of Shadows and the Image"
"Of Dreams"
"First Lesson"
His Majesty's Agent
Of Candles and Winds

3. Shahar's Jerusalem

Small World/Liminal Space
Space and Plot
Heterotopia
An Urban Idyll

4. Otherness, Identity, and Place

Fluid Identities and Violent Mobs
The Portrait of the Narrator as an Arab Chauffeur
Exchanging Clothes, Exchanging Places
Canaanite, Hebrew, Jew
A Cautionary Tale

5. Remembering Proust

Similes of Memory
Metaphor and Metonymy
Autobiographical Narration
Apprenticeship
Artists

Notes

Bibliography

Index



Related Subjects
41925/41926(JP/MH/FK)

Related Products

Reading Oprah
Reading Oprah
Through the Reading Glass
Through the Reading Glass
Jamaica Kincaid
Jamaica Kincaid
Kurt Vonnegut's Crusade; or, How a Postmodern Harlequin Preached a New Kind of Humanism
Kurt Vonnegut's Crusade; or, How a Postmodern Harlequin Preached a New Kind of Humanism
William Cullen Bryant
William Cullen Bryant



 
bottom_1_963_35.jpg