top_1_963_35.JPG
top_2_1.jpg top_2_2.jpg
 
 
  HOME   PUBLISH   DONATE   ABOUT   CONTACT   HELP   SEARCH  
 
   
Performing Whiteness
Postmodern Re/Constructions in the Cinema
Performing Whiteness
Click on image to enlarge

Gwendolyn Audrey Foster - Author
SUNY series in Postmodern Culture
N/A
Hardcover - 192 pages
Release Date: January 2003
ISBN10: 0-7914-5627-7
ISBN13: 978-0-7914-5627-9

Out of Print
Price: $31.95 
Paperback - 192 pages
Release Date: January 2003
ISBN10: 0-7914-5628-5
ISBN13: 978-0-7914-5628-6

Quantity:  
Available as a Google eBook
for other eReaders and tablet devices.
Click icon below...


Summary Read First Chapter image missing

Choice Outstanding Academic Title

Explores how whiteness is culturally constructed in American films.

Performing Whiteness
crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness. Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability. In discussions that range from The Philadelphia Story to Attack of the 50 Foot Woman, Foster shows that, though American cinema is an all-white construct, there exists the possibility of a healthy resistance to cultural norms of race, gender, sexuality, and class.

"Performing Whiteness offers a different and innovative treatment of issues of race and ethnicity from the standpoint of examining 'the assumptions behind whiteness as a cultural norm.' I was constantly astounded by the breadth of cinematic texts and by the wealth of cultural material cited to illuminate their discussion.' "— Marcia Landy, author of The Folklore of Consensus: Theatricality in the Italian Cinema, 1930–1943

"
This book will leave no one indifferent. It is written with force and informed by references to hundreds of films that span the entire century, from the beginning of cinema up to now. Its views are unremitting and timely." — Tom Conley, author of Film Hieroglyphs: Ruptures in Classical Cinema

Gwendolyn Audrey Foster is Associate Professor of English and Film Studies at the University of Nebraska. Her previous books include Captive Bodies: Postcolonial Subjectivity in Cinema, also published by SUNY Press, and Troping the Body: Gender, Etiquette, and Performance.

Reviews

"Thought-provoking and brilliantly written and illustrated ...will make excellent supplementary reading for those studying race and gender in film ...Essential." — CHOICE

Bookmark and Share

Table of Contents

List of Illustrations

Acknowledgments

1. Performing Whiteness

2. Inventing Whiteness

3. White Face, White Space

4. The Bad-White Body

5. Performing the “Good” White

6. Performing the “Bad” White

7. Performing White Otherness

Works Cited and Consulted

About the Author

Index



Related Subjects
41448/41449(JP/MS/AV)

Related Titles

Regarding Life
Regarding Life
Three Documentary Filmmakers
Three Documentary Filmmakers
Apocalyptic Dread
Apocalyptic Dread
Ecology and Popular Film
Ecology and Popular Film
Seeing Films Politically
Seeing Films Politically
Hitchcock at the Source
Hitchcock at the Source
Cavell on Film
Cavell on Film
Re-Viewing British Cinema, 1900-1992
Re-Viewing British Cinema, 1900-1992
Hetero
Hetero
Passport to Hollywood
Passport to Hollywood



 
bottom_1_963_35.jpg