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Time Is of the Essence
Temporality, Gender, and the New Woman
Time Is of the Essence
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Patricia Murphy - Author
SUNY series, Studies in the Long Nineteenth Century
Price: $68.50 
Hardcover - 299 pages
Release Date: September 2001
ISBN10: 0-7914-5109-7
ISBN13: 978-0-7914-5109-0

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Price: $31.95 
Paperback - 299 pages
Release Date: September 2001
ISBN10: 0-7914-5110-0
ISBN13: 978-0-7914-5110-6

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Summary

Examines the intricate relationships between time and gender in the novels of five fin-de-siecle British writers--Thomas Hardy, Olive Schreiner, H. Rider Haggard, Sarah Grand, and Mona Caird
In Time Is of the Essence, Patricia Murphy argues that the Victorian debate on the Woman Question was informed by a crucial but as yet unexplored element at the fin de siecle: the cultural construction of time. Victorians were obsessed with time in this century of incessant change, responding to such diverse developments as Darwinism, a newfound faith in progress, an unprecedented fascination with history and origins, and the nascent discipline of evolutionary psychology. The works examined here--novels by Thomas Hardy, Olive Schreiner, H. Rider Haggard, Sarah Grand, and Mona Caird--manipulate prevalent discourses on time to convey anxieties over gender, which intensified in the century's final decades with the appearance of the rebellious New Woman. Unmasking the intricate relationship between time and gender that threaded through these and other works of the period, Murphy reveals that the cultural construction of time, which was grounded in the gender-charged associations of history, progress, Christianity, and evolution, served as a powerful vehicle for reinforcing rigid boundaries between masculinity and femininity. In the process, she also covers a number of other important and intriguing topics, including the effects of rail travel on Victorian perceptions of time and the explosion of watch production throughout the period.

“…challenges standard readings and reveals the near obsession with time of the age’s feminists, who wanted, first, to free women from a compulsory ‘natural order of time’ and, second, to free narrative from the tight-corseting constraints of Victorian realism.” — CHOICE

"This beautifully written book offers fresh and compelling readings of a set of novels that are central to turn-of-the-century debates about the New Woman and to the body of scholarship on the New Woman novel that has burgeoned since the 1980s. No other study of New Woman writings provides the blending of approaches that Murphy's does--and that makes hers such an interesting and original contribution to the field." -- Ann Ardis, author of New Women, New Novels: Feminism and Early Modernism

Patricia Murphy is Assistant Professor of English at Missouri Southern State College.


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Table of Contents

Acknowledgments

1. Introduction: Victorian Temporality and the New Woman

2. Buttressing the Binary: Temporal Dichotomies in She

3. Trapping the Female in Time: History and Aesthetics in Tess of the d'Urbervilles

4. Reinterpreting Evolutionary Development: Feminine Psychology in The Beth Book and The Heavenly Twins

5. Controlling Women's Time: Regulatory Days and Historical Determinism in The Daughters of Danaus

6. Dissolving the Boundaries: Temporal Subversion in The Story of an African Farm

Afterword: Pointing the Way to Modernist Time

Notes

Works Cited

Index



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