Acknowledgments
Chapter One
Voices from the Margins, and the New Digital Cinema
Chapter Two
Visions of the Gothic and Grotesque
Chapter Three
Images of Conquest and the Colonialist Instinct
Chapter Four
The Commodification of Desire, and the Disruptive Figure of Paul Robeson
Chapter Five
The Past and the Future of the Moving Image
Works Cited and Consulted
About the Author
Index