Preface
Acknowledgments
Introduction
1. Friedrich Schlegel's Theory of the Fragment
2. A History of the Sublime
3. Gender and Genre in Aristophanes
4. The Romantic Novel: Lucinde
5. From Addressing to Cross-Dressing: Some Afterthoughts on Lucinde
6. Joyce's Drama and the Conflicts of Realism
7. The Gender Politics of Joyce's Theory and Practice of Drama
8. "From the Sublime to the Ridiculous Is But a Step"
9. Medicine, Midwifery, and the Making of Childbirth: Horne's "Sublime Porte" in Ulysses
10. In the Wake of Criticism
Conclusion
Notes
List of Works Cited
Index