Illustrations
Acknowledgments
A Note Regarding Names and Dates
Introduction
1. Overview
Seeing the Folk Performing Arts Today
The Categories
Other Classification Systems
Puppets on Strings, Actors on Floats
Community and Performance: The Beginnings
2. A History of Scholarship in the Folk Performing Arts
First Steps
Cultural Assets
New Directions
3. The Cultural Properties Protection Law
Prior to the Law
Under the Law
Administering the Folk Performing Arts
The Folk Performing Arts as Cultural Properties
4. The Festival Law
Background
The Folk Performing Arts Promotion Center
The Scholarly Community Weighs In
5. The Folk Perfoming Arts on Center Stage
Conventions
Summits and Festivals
Museum as Stage
The National Theatre
Shows for Tourists
Travel Abroad
Study and Performance Groups
Video
6. Communities and Their Folk Performing Arts Today
Awaji Ningyo-joruri
Itabashi no Taasobi
Mibu Kyogen
Kurokawa No
Hayachine Kagura
7. A Model for a National Folk Performing Arts Theater: The Saitama Prefectual Folk Culture Center
The Folk Performing Arts of Saitama Prefecture
The Activities of the Center
A National Folk Performing Arts Theater: Pros and Cons
8. The Folk Performing Arts in Literature
Shimazaki Toson: Village Kabuki
Tanizaki Jun'ichiro: Kagura and Chaban
Tanizaki and Uno Chiyo: The Puppet Arts of Awaji and Awa
Inoue Yasushi: Lion Dances
9. Toward the Future
Appendix: Nationally Designated Important Intangible Folk Cultural Properties
Notes
Bibliography
Index