top_1_963_35.JPG
top_2_1.jpg top_2_2.jpg
 
 
  HOME   PUBLISH   DONATE   ABOUT   CONTACT   HELP   SEARCH  
 
   
Complete Poems and Collected Letters of Adelaide Crapsey
Complete Poems and Collected Letters of Adelaide Crapsey
Click on image to enlarge

Susan S. Smith - Editor
N/A
Hardcover - 288 pages
Release Date: June 1977
ISBN10: 0-87395-342-8
ISBN13: 978-0-87395-342-9

Out of Print
Price: $25.95 
Paperback - 288 pages
Release Date: June 2016
ISBN10: N/A
ISBN13: 978-1-4384-5138-1

Quantity:  
Available as a Google eBook
for other eReaders and tablet devices.
Click icon below...


Summary

This book presents the poetry and letters of the American writer Adelaide Crapsey (1878-1914). Her best poetry deserves to be enjoyed by a larger audience, and her letters and newly discovered biographical materials reveal new charm and meaning in an intriguingly elusive character.


Crapsey did not live to see any of her mature poetry published: she received notice that her first poem had been accepted for publication only a week before she died. Posthumous editions of her Verse (in 1915, 1922, and 1934), however, brought her recognition and respect. Carl Sandburg paid her a poetic tribute. American critic Yvor Winters praised her as a "a minor poet of great distinction" and felt that her poems remained "in their way honest and acutely perceptive."

Her best work is compressed, terse, related in this respect to the work of another American poet who won posthumous recognition, Emily Dickinson. Crapsey is best known as the inventor of the cinquain, a poem of five short lines of unequal length: one-stress, two-stress, three-stress, four-stress, and one-stress. The cinquain is one of the few modern verse forms developed in English, and its brevity and characteristic thought pattern seem to have been influenced by Japanese forms. Crapsey's indebtedness to Japanese poetry and her relation to Imagism have long been subjects for debate. As Winters notes, the work of Crapsey "achieves more effectively than did almost any of the Imagists the aims of Imagism." The critical introduction by Professor Susan Sutton Smith examines these problems.

Much of Crapsey's poetry is reticent, withdrawn, and private, and she believed strongly in the individual's right to privacy. Whatever new biographical materials reveal of her and of her relations with family and friends, however, shows a charming and courageous woman. Her courage and humor show especially well in her correspondence with her friend Esther Lowenthal and in the letters with her friend Jean Webster McKinney, author of Daddy Long-Legs, who died soon after Crapsey.

The editor, Susan Sutton Smith, is assistant professor of English at the State University College, Oneonta, New York.


Bookmark and Share

Table of Contents

Illustrations
Acknowledgements


1. Introduction
A. Life
B. Previous Criticism of the Poems
C. A Note on the Present Text of the Poems

II. Poems
A. "Verse"
B. Additional Poems I
C. Additional Poems II
D. Undergraduate Poems
E. Cherokee Indian Charms

III. Letters
A. Family 1893-1897
B. Family and Friends 1908-1913
C. Esther Lowenthal 1913-1914

IV. Textual Appendices
A. Materials for This Edition
B. Textual Notes on the Poems

Notes
Bibliography
Index of Titles or First Lines


Related Subjects
21978/4-5138-1(//)

Related Titles

Immigrant Subjectivities in Asian American and Asian Diaspora Literatures
Immigrant Subjectivities in Asian American and Asian Diaspora Literatures
Constructing a World
Constructing a World
A Community of One
A Community of One
Epic Grandeur
Epic Grandeur
The Literary Absolute
The Literary Absolute
Nativism Overseas
Nativism Overseas
Jazz After Dinner
Jazz After Dinner
A Mystical Journey of Prince Adam
A Mystical Journey of Prince Adam
Post-Theory, Games, and Discursive Resistance
Post-Theory, Games, and Discursive Resistance
Mots D'Ordre
Mots D'Ordre



 
bottom_1_963_35.jpg