Argues that transgender representations in film make it more difficult for cisgender people to understand the experiences of transgender people and for transgender people to fully participate in public life.

The definitive philosophical exploration of the work of pioneering filmmaker Terrence Malick.

Brings together Ana M. López's field-defining essays on Latin American film and media in one indispensable volume.

Extensive meditations on silence in the films of Alfred Hitchcock.

Explores the importance of the body and the senses in educational encounters, drawing out the aesthetic and political dimensions of educational practices.

A book of poems and painted images.

Explores the potential for a novel philosophy of history to be uncovered by tracing the connections between Giorgio Agamben's work (theoretical practice) and contemporary art (artistic practice).

The cultural history of one of rock's greatest masterpieces told through the eyes of its creator.

Tells the story of classic blues singers from Ma Rainey to Bessie Smith.

Uses popular films to reveal the tensions generated during Japan’s postwar "economic miracle," challenging the prevailing view that it was a story of great national success.

Celebrates the design work of Henry Dreyfuss and his associates that revolutionized 20th century industrial design from telephones to trains to thermostats.

A Philosophy of Music Education is considered the classic text on the relation of aesthetics to the practical teaching and performing of music.

A walking tour and history of Bob Dylan's life and time in New York, from Greenwich Village to Woodstock.

Contextualizes Sabha Theatre historically, politically, and aesthetically, revealing how it expresses a Tamil Brahmin identity that is at once traditional and modern.

Illuminates the complex factors that have helped or hindered creative work by and about women in the twenty-first-century Brazilian film industry.

A visual and narrative memoir of a lifetime's encounters with 112 trendsetters, musicians, politicians, writers, and ordinary people by a noted folklorist-photographer.

A new and accessible introduction to this exciting, controversial, and often misunderstood music, drawing on extensive research, close listening, and the author’s experience as a performer.

Traces the complex and contradictory representations of Hawai’i in popular film and television programs from the 1930s to the 1970s.

Explores Italian filmmakers' representations of China and the Chinese, both at home and abroad.

Argues that Nietzsche’s idea of the Übermensch was a central concern of filmmakers in the 1920s and 1930s.

Shows how punk rock shaped modern culture around the world.

Analyzes how White American mainline Protestants used the internal musical controversies of the turn-of-the-millennium Worship Wars to negotiate their shifting position within the nation's diversifying religious and sociopolitical ecosystems.

Analyzes socially engaged art practices worldwide, linking them to decolonial struggle and critique.

Highlights the original cast members—both the well-known and the (until now) wholly unknown—who staged the duo's comic operas in Britain and in America.

Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.