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3 Results Found For: Mauro Carbone
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Philosophy-Screens
Philosophy-Screens (July 2019)
From Cinema to the Digital Revolution
Mauro Carbone - Author
Marta Nijhuis - Translator

Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.

In The Flesh of Images, Mauro Carbone analyzed Merleau-Ponty’s interest in film and modern painting as it relates to his aesthetic theory and as it illuminates o...(Read More)
 
 
The Flesh of Images
The Flesh of Images (October 2015)
Merleau-Ponty between Painting and Cinema
Mauro Carbone - Author
Marta Nijhuis - Translator

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory.

In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty’s often misunderstood notion of “flesh” was another way to signify what he also called “Visibility.” Considering vision as creative voyance, in the visionary sense of creating as a particular presence ...(Read More)
 
 
An Unprecedented Deformation
An Unprecedented Deformation (May 2010)
Marcel Proust and the Sensible Ideas
Mauro Carbone - Author
Niall Keane - Translator

Philosophical interpretation of Proust based on the work of Merleau-Ponty and Deleuze.

French novelist Marcel Proust made famous “involuntary memory,” a peculiar kind of memory that works whether one is willing or not and that gives a transformed recollection of past experience. More than a century later, the Proustian notion of involuntary memory has not been fully explored nor its implications understo...(Read More)
 
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