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38 Results Found For: SUNY series, Horizons of Cinema
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Rx Hollywood
Rx Hollywood (January 2018)
Cinema and Therapy in the 1960s
Michael DeAngelis - Author

 
 
Ripping England!
Ripping England! (December 2017)
Postwar British Satire from Ealing to the Goons
Roger Rawlings - Author

Examines an all too often neglected period of postwar British cinema and popular culture.

Ripping England! investigates a fertile moment for British satire—the period between 1947 and 1953, which produced the films Passport to Pimlico, Kind Hearts and Coronets, and The Lavender Hill Mob, as well as the seminal radio program The Goon Show. Against the postwar background of fading empire,...(Read More)
 
 
Are You Watching Closely?
Are You Watching Closely? (September 2017)
Cultural Paranoia, New Technologies, and the Contemporary Hollywood Misdirection Film
Seth Friedman - Author

Identifies a new genre—misdirection films—and explains its appeal to contemporary producers and audiences.

Are You Watching Closely? is the first book to explore the recent spate of “misdirection films,” a previously unidentified Hollywood genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these film...(Read More)
 
 
Gestures of Love
Gestures of Love (June 2017)
Romancing Performance in Classical Hollywood Cinema
Steven Rybin - Author

Examines movie romance in light of our emotional bond to the actors and characters on screen.

Gestures of Love considers the viewer’s enchantment with charismatic actors in film as the starting point for closely analyzing the performance of love in movies. Written with a thoughtful adoration for the actors who move us, Steven Rybin examines several of cinema’s most beloved on-screen movie coup...(Read More)
 
 
Passionate Detachments
Passionate Detachments (June 2017)
Technologies of Vision and Violence in American Cinema, 1967-1974
Amy Rust - Author

Investigates the cultural value of film violence.

Passionate Detachments investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywood Production Code: multiple-camera montage, squibs (small explo...(Read More)
 
 
American Stranger
American Stranger (March 2017)
Modernisms, Hollywood, and the Cinema of Nicholas Ray
Will Scheibel - Author

Reconstructs how Ray became a “rebel auteur” in cinema culture.

How does cinema culture imagine one of its favorite figures, the rebel? The reputation of the American director Nicholas Ray provides a particularly notable example. Most famous for Rebel Without a Cause, Ray has since been canonized as a “rebel auteur” and celebrated for seeking a personal vision and signature style un...(Read More)
 
 
Brechtian Cinemas
Brechtian Cinemas (March 2017)
Montage and Theatricality in Jean-Marie Straub and Daniele Huillet, Peter Watkins, and Lars von Trier
Nenad Jovanovic - Author

Explores the influence of Bertolt Brecht’s ideas on the practice and study of cinema.

In Brechtian Cinemas, Nenad Jovanovic uses examples from select major filmmakers to delineate the variety of ways in which Bertolt Brecht’s concept of epic/dialectic theatre has been adopted and deployed in international cinema. Jovanovic critically engages Brecht’s ideas and their most influential inte...(Read More)
 
 
Hitchcock's Moral Gaze
Hitchcock's Moral Gaze (February 2017)
R. Barton Palmer - Editor
Homer B. Pettey - Editor
Steven M. Sanders - Editor

Offers new and compelling perspectives on the deeply moral nature of Hitchcock’s films.
In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalt...(Read More)
 
 
John Huston as Adaptor
John Huston as Adaptor (February 2017)
Douglas McFarland - Editor
Wesley King - Editor

Argues that understanding Huston’s film adaptations of literary works is essential to understanding his oeuvre as a filmmaker.

John Huston as Adaptor makes the case that adaptation is the salient element in Huston’s identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Huston’s thirty-seven fil...(Read More)
 
 
Regarding Life
Regarding Life (October 2016)
Animals and the Documentary Moving Image
Belinda Smaill - Author

Contends that the narrative and aesthetic qualities of the documentary genre enable new understandings of animals and animal/human relationships.

As indicated by the success of such films as March of the Penguins and Food, Inc., the documentary has become the preeminent format for rendering animals and nature onscreen. In Regarding Life, Belinda Smaill brings together examples from a broad ar...(Read More)
 
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