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49 Results Found For: SUNY series, Horizons of Cinema
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Miraculous Realism
Miraculous Realism (February 2020)
The French-Walloon Cinema du Nord
Niels Niessen - Author

 
 
The Great War in Hollywood Memory, 1918-1939
The Great War in Hollywood Memory, 1918-1939 (December 2019)
Michael Hammond - Author

 
 
Brute Force
Brute Force (November 2019)
Animal Horror Movies
Dominic Lennard - Author

 
 
Sounds Like Helicopters
Sounds Like Helicopters (October 2019)
Classical Music in Modernist Cinema
Matthew Lau - Author

 
 
Tuitions and Intuitions
Tuitions and Intuitions (September 2019)
Essays at the Intersection of Film Criticism and Philosophy
William Rothman - Author

 
 
From El Dorado to Lost Horizons
From El Dorado to Lost Horizons (April 2019)
Traditionalist Films in the Hollywood Renaissance, 1967-1972
Ken Windrum - Author

Investigates how musicals, war films, sex comedies, and Westerns dealt with contentious issues during a time of change in Hollywood.

The era known as the Hollywood Renaissance is celebrated as a time when revolutionary movies broke all the rules of the previous “classical” era as part of the ferment of the late 1960s and early 1970s. Yet many films during this era did not overtly smash the system but provided more tr...(Read More)
 
 
Rumble and Crash
Rumble and Crash (February 2019)
Crises of Capitalism in Contemporary Film
Milo Sweedler - Author

Analyzes six films as allegories of capitalism’s precarious state in the early twenty-first century.

At the beginning of the twenty-first century, as the contradictions of capitalism became more apparent than at any other time since the 1920s, numerous films gave allegorical form to the crises of contemporary capitalism. Some films were overtly political in nature, while others refracted the vicissitudes of capital in stor...(Read More)
 
 
Rule, Britannia!
Rule, Britannia! (October 2018)
The Biopic and British National Identity
Homer B. Pettey - Editor
R. Barton Palmer - Editor

Assesses how cinematic biographies of key figures reflect and shape what it means to be British.

Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figu...(Read More)
 
 
Welcome to Fear City
Welcome to Fear City (October 2018)
Crime Film, Crisis, and the Urban Imagination
Nathan Holmes - Author

Analyzes how location-shot crime films of the 1970s reflected and influenced understandings of urban crisis.

The early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with...(Read More)
 
 
Immanent Frames
Immanent Frames (June 2018)
Postsecular Cinema between Malick and von Trier
John Caruana - Editor
Mark Cauchi - Editor

Explores a growing number of films and filmmakers that challenge the strict boundaries between belief and unbelief.

For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a “postsecular turn.” Until now, film studies has largely been silent about this developme...(Read More)
 
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